Steal Like An Artist by Austin Kleon Summary

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Introduction

The book “Steal Like An Artist” is a guide for anyone looking to inject a bit of creativity into their daily lives. Written by author and artist Austin Kleon, the book contains 10 pieces of advice or “things nobody told you about being creative” that Kleon has learned over the course of almost a decade of making art.

At the heart of the book is the idea that nothing is truly original, and that all creative work is built upon what came before it. Kleon encourages readers to embrace this fact, and to seek out inspiration and influence from the world around them. He argues that by stealing, or borrowing ideas from other creators, we can transform them into something new and unique.

Throughout the book, Kleon offers a number of practical tips and exercises to help readers tap into their creativity. He urges readers to stop worrying about being “good” or “bad” and instead focus on finding things worth stealing, or building upon. He also stresses the importance of side projects and hobbies, which can help spark new ideas and keep the creative juices flowing.

One of the key takeaways of the book is that creativity is not just reserved for artists and writers. Kleon believes that everyone has the capacity for creativity, and that it can be expressed in a variety of ways. Whether you’re a businessperson, student, or stay-at-home parent, the principles in “Steal Like An Artist” can be applied to many different aspects of life.

The book addresses a number of common questions and concerns that many aspiring creatives face. For example, Kleon tackles the perennial question of “Where do you get your ideas?”, arguing that everything is up for grabs and that inspiration can be found anywhere. He also offers tips for overcoming creative blocks and dealing with criticism, both from others and from oneself.

The intended audience for the book is broad, encompassing anyone looking to add a bit of creativity to their life. Kleon’s writing style is accessible and engaging, making the book suitable for readers of all ages and backgrounds. However, the book may be particularly valuable for young people just starting out on their creative journey, or for anyone who feels stuck in a creative rut.

Kleon’s background as an artist and writer lends credibility to his advice, as he draws from his own experience and years of trial and error. His main purpose in writing the book is to inspire and motivate readers, and to provide practical guidance for cultivating their own creativity.

Overall, “Steal Like An Artist” is a helpful and inspiring guide for anyone looking to tap into their own creativity. Its insights are approachable and actionable, making it a valuable resource for aspiring artists, writers, and creatives of all stripes.

“You don’t get to pick your family, but you can pick your teachers and you can pick your friends and you can pick the music you listen to and you can pick the books you read and you can pick the movies you see. You are, in fact, a mashup of what you choose to let into your life. You are the sum of your influences.” –

Chapter 1: Steal Like An Artist

Chapter 1 of “Steal Like An Artist” is one of the most important chapters in the book. In this chapter, author Austin Kleon argues that all artists are essentially thieves, and that creative work is built upon what came before it. He encourages readers to embrace this idea and to seek out inspiration from a wide variety of sources.
Kleon begins the chapter with a quote from the poet T.S. Eliot: “Immature poets imitate, mature poets steal.” He highlights the difference between mere imitation, which produces a copy of another artist’s work, and “stealing,” which involves taking elements of that work and transforming them into something new and unique.

Kleon stresses that there is no such thing as a truly original idea. All creative work is influenced by what came before it, and successful artists are those who are able to draw from a diverse range of sources and make something new. He encourages readers to develop their own “family tree” of influences, tracing the artists and works that have contributed to their own creative vision.

The author also offers a number of practical tips for “stealing like an artist.” He urges readers to cast a wide net when seeking out inspiration, exploring everything from other artists and writers to music, film, and even random conversations with strangers. He encourages readers to collect and curate the things they love, and to look for patterns and connections between them.

Kleon also acknowledges that stealing from others can be scary or even embarrassing, especially for new or inexperienced artists. He reassures readers that this is a normal feeling, and that it takes time and practice to develop a sense of one’s own artistic style. He also emphasizes that it’s important to give credit where credit is due, and to avoid outright plagiarism.
One of the key takeaways of this chapter is that everyone is capable of creativity, and that all artists have the power to shape their own artistic vision by borrowing from others. Kleon’s message is both liberating and empowering, giving readers permission to draw from a wide variety of sources and to take risks in their creative work.

Chapter 1 of “Steal Like An Artist” lays out one of the core principles of the book: that creativity is not a solitary pursuit, but rather a collaborative effort that involves drawing inspiration from a wide variety of sources. By embracing this idea and learning to “steal like an artist,” readers can take their own creative work to new heights.

“You don’t want to look like your heroes, you want to see like your heroes.”–

Chapter 2: Don’t Wait Until You Know Who You Are To Get Started

This chapter is about overcoming self-doubt and avoiding the trap of waiting for the “perfect” moment to begin. Author Austin Kleon stresses that waiting for inspiration or for the stars to align is a surefire way to never get started on creative work.
Kleon begins the chapter by emphasizing that creative work is inherently messy, and that it often involves stumbling and making mistakes along the way. He encourages readers to embrace this messiness, and to view failures as opportunities to learn and grow.

One of the key themes of the chapter is the idea that creative work is a process of self-discovery. Kleon argues that many artists make the mistake of waiting until they have a clear sense of who they are and what they want to say before beginning their work. He pushes back against this approach, arguing that it is only through the act of creating that we begin to develop a sense of who we really are.

Kleon also acknowledges that starting can be difficult, especially for new or inexperienced artists. He notes the phenomenon of “imposter syndrome,” in which people feel like they don’t deserve to create or that they aren’t good enough. He reassures readers that these feelings are normal, and that everyone feels like an imposter at times.

The author offers a number of practical tips for getting started on creative work, including setting routines and schedules, working regularly and consistently, and surrounding oneself with like-minded people who can provide support and encouragement.
One of the key takeaways of this chapter is the importance of embracing uncertainty and taking action even when one is unsure of the outcome. Kleon urges readers to begin creating today, even if they aren’t sure where it will lead or what they want to say. He emphasizes that it is only through the process of creating that one can begin to uncover their own unique voice and style.

Chapter 2 of “Steal Like An Artist” is a powerful call to action for artists of all levels. Kleon challenges readers to resist the urge to wait for perfect conditions or for the stars to align, and to instead embrace the messiness and uncertainty of the creative process. By taking small steps every day and allowing themselves to make mistakes along the way, readers can overcome self-doubt and take their creative work to new heights.

“Start copying what you love. Copy, copy, copy, copy. At the end of the copy you will find yourself.” –

Chapter 3: Write The Book You Want To Read

Chapter 3 of “Steal Like An Artist” is primarily focused on aspiring writers. However, author Austin Kleon notes that the chapter’s advice can also be applied to other creative mediums. The chapter encourages readers to prioritize their own interests and passions when creating, rather than trying to please others or fit into existing molds.
Kleon argues that the best way to create something truly original and engaging is to start with what one loves and is interested in, rather than worrying about what will sell or be popular. He emphasizes that writers should not try to replicate the success of others, but instead focus on their own unique perspective and experiences.

The author notes that writers often struggle with finding their own voice and style, and offers a number of practical tips for developing these key elements of writing. He encourages writers to read widely and deeply, to study the work of other writers in their field, and to experiment with different styles and genres. Kleon also stresses that it is important for writers to be honest and authentic in their work, rather than trying to imitate the styles or voices of others.

Kleon also provides a number of insights into the publishing industry, and encourages writers not to wait for agents or publishers to give them permission to write. He advises readers to self-publish, start a blog, or simply write for the sheer joy of it. The chapter also touches on strategies for building an audience and connecting with readers, including social media and other online platforms.

One of the key takeaways of this chapter is the importance of focusing on one’s own passions and interests when writing. Kleon emphasizes that the best writing comes from a place of genuine enthusiasm, rather than from trying to mimic the work of others or cater to a particular audience.
Overall, Chapter 3 is a valuable resource for writers who are struggling to find their own voice and style. Kleon provides practical advice for developing one’s writing skills and pursuing a career as a writer, while also stressing the importance of being true to oneself and embracing one’s own unique perspectives and experiences.

“Draw the art you want to see, start the business you want to run, play the music you want to hear, write the books you want to read, build the products you want to use—do the work you want to see done.” –

Chapter 4: Use Your Hands

Chapter 4 focuses on the importance of physical creation and hands-on work. Author Austin Kleon argues that using one’s hands to create is a valuable and rewarding experience that can enhance creativity and help individuals express their ideas more fully.
Kleon begins the chapter by noting the rise of digital technology in creative fields, and the corresponding decline in hands-on techniques. He argues that this shift has led to a loss of tactile feedback and sensory experience in the creative process, and encourages readers to embrace physical creation as a way to reconnect with their artistry.

The author offers a number of examples of hands-on work, including drawing, painting, knitting, woodworking, and even cooking. He notes that these types of activities offer unique physical and mental benefits, such as increased focus, relaxation, and a break from the overstimulation of digital media.
Kleon also stresses the importance of stepping away from digital devices and screens in order to engage more fully in hands-on work. He provides practical tips for digital detoxing, such as setting aside specific times of day to check emails or social media, and establishing “no-phone zones” in one’s home or workspace.

One of the key themes of the chapter is the idea that physical creation can help spark new ideas and insights. Kleon emphasizes that hands-on work can be a valuable tool for overcoming creative blocks and generating fresh perspectives. He notes that physical creation encourages experimentation, and allows individuals to make mistakes and learn from them in a way that digital tools often do not.
The author also addresses the issue of accessibility, noting that many types of hands-on work can be done inexpensively and with minimal resources. He encourages readers to explore a wide range of physical creation techniques, and to find the ones that work best for them based on their interests, skills, and available resources.

One of the key takeaways of this chapter is the idea that hands-on work is a valuable and rewarding part of the creative process. Kleon encourages readers to step away from their screens and engage in physical creation, whether through drawing, painting, cooking, or any other hands-on activity. By embracing the tactile feedback and sensory experience of physical creation, readers can enhance their creativity and develop new ideas and perspectives.
This chapter is a powerful reminder of the importance of hands-on work in the creative process. Kleon provides practical tips for getting started with hands-on activities, and encourages readers to explore a wide range of physical creation techniques.

“The human hand is a beautiful and treacherous thing all at the same time.” –

Chapter 5: Side Projects And Hobbies Are Important

Chapter 5 of “Steal Like An Artist” explores the role of extracurricular creative pursuits in the artistic process. Author Austin Kleon argues that side projects and hobbies can provide valuable opportunities for experimentation and learning, and can ultimately enhance one’s creative output.
Kleon begins the chapter by noting that many people struggle to find time for creative work amid the demands of daily life. He suggests that side projects and hobbies can provide an avenue for creative expression outside of work or other responsibilities. Kleon stresses the importance of allowing oneself to play and experiment in these contexts, and to embrace the joy of creating simply for the sake of creating.

The author provides a number of examples of side projects and hobbies that can benefit the creative process, such as crafting, photography, and even simply exploring new neighborhoods or learning a new skill. Kleon notes that these types of activities can be especially valuable for artists who are stuck in a creative rut or who are looking to explore new perspectives and experiences.
Another key theme of the chapter is the idea that side projects can ultimately benefit one’s professional work as well. Kleon argues that hobbies and extracurricular pursuits can help individuals develop new skills and approaches, and can ultimately lead to greater creative breakthroughs and success in other contexts.

The author also addresses the issue of motivation, noting that many people struggle to stay motivated when working on side projects or hobbies. He offers practical tips for staying engaged and motivated, such as setting achievable goals and deadlines, sharing one’s work with others, and finding a supportive community of like-minded individuals.
By engaging in side projects and hobbies, readers can ultimately enhance their creativity and develop new skills and approaches that can benefit their professional work as well.

“One, beware of turning hobbies into jobs—there’s a tricky balance to be struck there. Two, never underestimate the power of the pivot.” –

Chapter 6: Do Good Work And Share It With People

In chapter 6 Austin Kleon focuses on the importance of sharing one’s creative work with others. Author Austin Kleon argues that sharing one’s work can lead to valuable feedback and opportunities, and can ultimately help one grow and develop as a creative individual.
Kleon begins the chapter by noting that many people are hesitant to share their work with others for fear of rejection or criticism. However, he argues that sharing one’s work is a crucial component of the creative process, and can ultimately lead to greater artistic success.

One key theme of the chapter is the importance of embracing imperfection and vulnerability in one’s creative work. Kleon notes that many artists are hesitant to share their work until it is “perfect,” but emphasizes that flaws and mistakes are a natural part of the creative process. He encourages readers to embrace imperfection and vulnerability by sharing their work with others, even if it is not yet complete or polished.
Another key theme of the chapter is the idea that sharing one’s work can lead to valuable feedback and opportunities. Kleon notes that sharing one’s work can help one connect with others who share similar interests, and can lead to collaborations, mentorship, and other opportunities for growth and development.

The author provides a number of examples of successful artists who have embraced the value of sharing their work with others, such as musician Amanda Palmer and artist David Choe. Kleon notes that these artists have built successful careers by sharing their work online and engaging with their audiences in meaningful ways.
Kleon also provides practical tips for sharing one’s work with others, such as building an online portfolio or blog, attending creative conferences and events, and connecting with other artists and creatives through social media.

Overall, this chapter is a powerful reminder of the importance of sharing one’s work with others. Kleon provides practical tips for building an online presence and connecting with other creatives, and emphasizes the value of embracing imperfection and vulnerability in the creative process. The chapter encourages readers to share their work with others in meaningful ways, and to embrace the feedback and opportunities that result from doing so.

“It’s better to be in the arena, getting stomped by the bull, than to be up in the stands or out in the parking lot.” –

Chapter 7: Geography Is No Longer Our Master

Chapter 7 of “Steal Like An Artist” explores the role of the internet and digital technology in the creative process. Author Austin Kleon argues that the rise of the internet has fundamentally changed the way that artists work and interact with one another, and has provided new opportunities for creativity and collaboration.
Kleon begins the chapter by noting that prior to the internet, geography was a major barrier to creative collaboration. Artists had to be physically close to one another in order to share ideas and collaborate on projects. However, he argues that the internet has completely changed this dynamic, and has made it easier than ever for artists to connect and collaborate regardless of their physical location.

One key theme of the chapter is the idea that the internet and digital technology have vastly expanded the creative landscape, providing new opportunities for artists to connect and collaborate on a global scale. Kleon notes that the internet has allowed artists to share their work with a wider audience than ever before, and has opened up new possibilities for cross-disciplinary collaboration and exploration.

Another key theme of the chapter is the idea that the internet has fundamentally changed the way that artists work and interact with one another. Kleon argues that digital technology has made it possible for artists to work remotely, collaborate in real-time, and even crowdsource ideas and feedback from their audiences. He notes that these new collaborative models are changing the way that art is created and distributed, and are redefining the traditional boundaries of creative disciplines.

The author provides a number of examples of successful artists who have embraced the power of the internet and digital technology in their work, such as musician Amanda Palmer and filmmaker Casey Neistat. Kleon notes that these artists have leveraged the internet to build engaged audiences and create innovative new work that would not have been possible without digital technology.

Kleon also provides practical tips for leveraging the internet and digital technology in one’s own creative practice, such as building an online presence, using social media to connect with other artists, and exploring new tools and platforms for collaboration and distribution.
One of the key takeaways of this chapter is the idea that the internet and digital technology are powerful tools for creativity and collaboration. Kleon encourages readers to explore the vast landscape of opportunities provided by the internet, and to embrace the possibilities of cross-disciplinary collaboration and experimentation. By leveraging the power of digital technology, readers can expand their creative horizons and connect with a global audience in meaningful ways.

“The internet is a connective tissue that binds the creativity of the world. With it, you can travel to another place and time in seconds.” –

Chapter 8: Be Nice (The World Is A Small Town)

Chapter 8 explores the importance of kindness and generosity in the creative process. Author Austin Kleon argues that being kind and generous to others can help build supportive relationships and networks, and can ultimately lead to greater success and fulfillment as a creative individual.
Kleon begins the chapter by noting that many people in creative fields believe that they must be ruthless and cutthroat in order to succeed. However, he argues that this approach is ultimately counterproductive, and that being kind and generous to others can actually help build stronger, more supportive relationships.

One key theme of the chapter is the idea that kindness and generosity can lead to greater opportunities and success as a creative individual. Kleon notes that people are more likely to want to work with and support individuals who are kind, generous, and supportive themselves. He encourages readers to build strong relationships with others by being kind, generous, and supportive in their own interactions.

Another key theme of the chapter is the idea that being kind and generous can help build a sense of community and belonging in the creative process. Kleon notes that many artists and creatives can feel isolated and disconnected from others, but that by being kind and generous to others, they can build stronger connections and support networks. He argues that a sense of community and belonging is essential for creative individuals to thrive and succeed.

The author provides a number of examples of successful artists who have embraced the power of kindness and generosity in their work, such as filmmaker John Waters and musician Amanda Palmer. Kleon notes that these artists have built strong relationships with their audiences by being kind, generous, and authentic in their interactions.

Kleon also provides practical tips for being kind and generous in one’s own creative practice, such as offering support and encouragement to others, sharing information and resources, and being transparent and authentic in one’s interactions.
One of the key takeaways of this chapter is the idea that kindness and generosity are essential components of the creative process. Kleon encourages readers to embrace these qualities in their interactions with others, in order to build strong relationships, support networks, and a sense of community and belonging. By being kind and generous to others, readers can ultimately achieve greater success and fulfillment as creative individuals.

“The internet means that everybody is in each other’s neighborhoods.” –

Chapter 9: Be Boring (It’s The Only Way To Get Work Done)

Chapter 9 of “Steal Like An Artist” explores the importance of routine, discipline, and persistence in the creative process. Author Austin Kleon argues that creative work often requires long hours, hard work, and perseverance, and that the only way to succeed is to establish solid work habits and stick to them.
Kleon begins the chapter by noting that many people believe that creativity is all about inspiration and spontaneity, and that creative individuals are free spirits who work whenever inspiration strikes. However, he argues that this is a myth, and that successful artists and creatives are typically extremely disciplined and dedicated to their craft.

One key theme of the chapter is the importance of routine in the creative process. Kleon notes that establishing a routine can help train the mind to get into a creative space, and can help one get work done even when inspiration is lacking. He encourages readers to establish solid work habits, such as setting aside dedicated time each day or week for creative work, and to stick to these habits no matter what.

Another key theme of the chapter is the idea that persistence and hard work are essential components of the creative process. Kleon notes that creative work often requires long hours and hard work, and that success typically only comes after many hours of practice and effort. He encourages readers to embrace the hard work required for creative success, and to realize that boredom and repetition are often just a necessary part of the process.

The author provides a number of examples of successful artists who have embraced the value of routine and hard work in their creative practice, such as painter Chuck Close and writer Haruki Murakami. Kleon notes that these artists have achieved great success by establishing solid work habits and sticking to them, even when the work is tedious or unglamorous.
Kleon also provides practical tips for establishing a routine and sticking to it in one’s own creative practice, such as setting goals and deadlines, breaking work down into smaller tasks, and eliminating distractions.

“The most important thing about art is to work. Nothing else matters except sitting down every day and trying.” –

Chapter 10: Creativity Is Subtraction

In the last chapter of “Steal Like An Artist” delve into the idea that creativity often involves removing or simplifying elements, rather than adding complexity. Author Austin Kleon argues that subtracting elements from a project or idea can often lead to more effective and impactful creative work.
Kleon begins the chapter by considering that many people believe that creativity is all about adding complexity and novelty to a project or idea. However, he argues that the opposite is often true, and that effective creative work often involves simplifying, clarifying, or removing elements to make the work more impactful.

One key theme of the chapter is the idea that removing elements from a project or idea can help focus the work and make it more effective. Kleon notes that adding too many elements can dilute the impact of the work, and that removing unnecessary elements can help bring the work into sharper focus. He encourages readers to think about what elements of their work are truly essential, and to remove anything that is extraneous or distracting.

Another key theme of the chapter is the idea that effective creative work often involves constraints and limitations. Kleon notes that imposing constraints on a project or idea can help focus the work, and can lead to more effective and impactful creative output. He encourages readers to embrace constraints as a way to simplify their work and make it more impactful.

The author provides a number of examples of successful artists and projects that have embraced the value of subtraction in the creative process, such as musician Brian Eno and the Apple iPod. Kleon notes that Eno’s decision to remove elements from his music helped create a new genre of ambient music, while the simplicity of the iPod’s design helped make it one of the most successful products of all time.

Kleon also provides practical tips for embracing the value of subtraction in one’s own creative practice, such as identifying the essential elements of a project or idea, using constraints to focus the work, and eliminating distractions. Kleon encourages readers to focus on the essential elements of their work, and to simplify their projects to make them more impactful.

“Remove until you can’t remove anymore, simplify until you can’t simplify anymore.” –

Final Word

“Steal Like An Artist” is a powerful and inspiring guide to the creative process, offering readers practical tips, inspirational stories, and insightful reflections on what it takes to succeed as a creative individual. Author Austin Kleon encourages readers to embrace creativity as a way of life, and to find inspiration in the work of others, while striving to develop their own unique voice and vision.

Throughout the book, Kleon explores a wide range of themes related to the creative process, such as the importance of developing a creative routine, the value of embracing constraints and limitations, the power of collaboration and community, and the importance of finding inspiration in unexpected places. He encourages readers to steal from other creatives, not by copying what they do, but by taking inspiration from their work and using it as a springboard for their own ideas.

One of the key strengths of “Steal Like An Artist” is its emphasis on practical tips and actionable advice. Kleon provides readers with a wealth of practical tips and strategies for developing their creative skills, such as setting goals and deadlines, eliminating distractions, and embracing simplicity and constraints in their work. He also provides a wealth of resources and inspiration for readers, such as recommended reading lists, examples of successful creatives, and platforms for sharing creative work.

Another strength of the book is its emphasis on community and collaboration. Kleon encourages readers to embrace the power of community and collaboration in their creative practice, whether by joining a creative group or working with others to develop a project or idea. He emphasizes the importance of sharing work with others, and encourages readers to embrace the value of feedback and critique as a way to improve their skills and develop their ideas.

In conclusion, “Steal Like An Artist” is a must-read for anyone interested in creativity, regardless of their field or background. Whether you are an experienced artist or a novice writer, Kleon’s insights and advice can help you unlock your creative potential and achieve your goals. By embracing the power of community, collaboration, and inspiration, and by following the practical tips and strategies outlined in the book, readers can develop their skills, develop their ideas, and achieve their dreams as creative individuals.